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The M-200i being part of the V-Mixer family means it has award-winning sound quality, operation and expandability – all condensed into a compact body. It is a V-Mixer with 24 analog inputs, 12 analog outputs and stereo digital output (AES/EBU) all built-in to the main unit. It's ready to perform, out of the box (iPad not included).
The M-200i is a part of the V-Mixer lineup which includes the M-480, and the M-300.
It is loaded with four multi-effect processors and four 31-band graphic EQ units which are requirements for any professional live sound production. Other popular functions including WAV recording/playback using USB memory, remote control via PC/Mac, and DAW recording.
Available on the iTunes AppStore.
The iPad functions as a large touch screen display. Use the iPad for intuitive control of effects and other graphical manipulation, while physically controlling the volume with the motorized faders. The advanced "Touch & Turn" surface provides a more convenient mixing environment than ever before by allowing you to touch a control on the iPad and control it with a physical knob.
By incorporating the iPad, the M-200i can be operated in a variety of styles to fit any situation. Sound checks can be performed remotely from the stage or any location/seat in the room using the iPad. At the same time, all operations can still be performed at the console using the built-in display and dedicated knobs and buttons.
16 inputs are equipped with a discretely designed high-grade microphone preamp circuit. The full digital control specification allows for instant saving and recalling of all parameters such as input gain, padding, and phantom power. An externally connected Digital Snake is fully controlled remotely.
Four multi-effect processors can be easily inserted into any input channel, AUX bus, matrix bus and final output bus. Effect types can be selected from fifteen kinds of processors including reverb and delay, as well as three kinds of Roland "Vintage Effects" which are praised by audio engineers throughout the world.
Stereo Reverb, REVERB+GATE, DELAY x 2, LONG DELAY, Multi Tap Delay, Cross-modulation Delay, Stereo Chorus, Stereo Flanger, Stereo Phaser, Channel Strip x 2, Pitch Shifter x 2, GEQ, STEREO FLANGER SBF-325, PHASE SHIFTER SPH-323, DIMENSION D SDD-320
Any two of the Main/8AUX/4Matrix outputs can be recorded as a 16-bit, uncompressed WAV file by inserting a USB memory stick in the back panel. WAV files stored in USB memory can be also be played from any input channel. In addition, the USB memory can be used for saving/loading configuration files on the M-200i.
Not just a few functions but comprehensive control - new workflows and ways to mix a room. Remotely control all aspects of the mix from the iPad and enjoy the feeling of superior response and comfortable operation. One of the compelling features the M-200i brings is the comfort of a surface with faders, knobs and buttons so tightly integrated with fully featured iPad screens that go well beyond controlling just a limited set of features.
The M-200i can be controlled remotely from a PC (Windows/Mac) by using the M-200i RCS* dedicated software. You can operate the M-200i simultaneously from the iPad, a PC and the M-200i itself. *The M-200i RCS is a free download.
The M-200i and an iPad can be connected wirelessly by attaching the "WNA1100-RL"(sold separately) dedicated wireless USB adapter or connecting with a wireless LAN device directly. The M-200i can then be operated from a remote location such as the stage or any seat in the house using the iPad. Depending on the situation, the communication method for the iPad and the M-200i can be selected from one of three types: "cable LAN connection," "wireless LAN connection," or "Ad-Hoc connection."
For further information check out the Roland website
| Processing | |
|---|---|
| Channels/Buses | CHANNELS: 32 |
| BUSES: MAIN L/R, 8 AUX, 4 MATRIX | |
| Inputs/Outputs | INPUTS: 24 (64 when using optional REAC devices) |
| OUTPUTS: 14 (Max 54 ports when using REAC Devices) | |
| Signal Processing | AD/DA Conversion: 24 bit |
| Sample Rate: 48.0 kHz or 44.1 kHz | |
| Console Latency | 2.0 mS (typ.) *1 |
| * Total Latency of audio signal from M-200i's console inputs to M-200i's outputs. | |
| * Sample Rate: 48.0 kHz * Effects: No insert effects | |
| Network Latency | 2.5 mS (typ.) *1 |
| * Total System Latency of audio signal from S-1608 inputs to,outputs via M-200i's REAC ports. | |
| * Sample Rate: 48.0 kHz | |
| * Effects: No insert effects | |
| Connectors | |
| Inputs/Outputs/Others | INPUT jacks (1 to 16): XLR-3-31 type (balanced, phantom power) |
| INPUT jacks (17 to 22): 1/4 inch Phone type (balanced) | |
| INPUT jacks (23 to 24): RCA Phono type | |
| ASSIGNABLE OUTPUT jacks (1 to 6): XLR-3-32 type (balanced) | |
| ASSIGNABLE OUTPUT jacks (7 to 10): 1/4 inch Phone type (balanced) | |
| MAIN OUTPUT jacks (L, R): XLR-3-32 type (balanced) | |
| PHONES jack: Stereo 1/4 inch phone type, Miniature phone type | |
| AES/EBU OUT jacks: XLR-3-32 type (110 ohm balanced) | |
| REAC port: RJ-45 EtherCon type | |
| RS-232C connector: 9-pin D-sub type | |
| MIDI connectors (OUT/THRU, IN): 5-pin DIN type | |
| USB MEMORY port: USB Type A | |
| USB WLAN ADAPTOR port: USB Type A | |
| USB COMPUTER port: USB Type B | |
| LAN port: RJ45 type | |
| DOC CABLE port : 10-pin mini DIN type | |
| DOC CABLE port : 10-pin mini DIN type,DC IN jack | |
| Grounding terminal | |
| * XLR type: 1 GND, 2 HOT, 3: COLD | |
| * Phantom power: DC+48V (unloaded maximum), 14mA (maximum,load, All XLR type inputs) | |
| Input/Output Characteristics | |
| Frequency Response | ASSIGNABLE OUTPUT jacks (1 to 10): -2 dB / +0 dB (20k ohms load, +4 dBu, typ.) |
| MAIN OUTPUT jacks (L, R): -2 dB / +0 dB (20k ohms load, +4 dBu, typ.) | |
| PHONES jack: -3 dB / +0 dB (40 ohms load, 150 mW, typ.) | |
| * Sample Rate: 48.0 kHz or 44.1 kHz | |
| * Input Connector: INPUT 1 to 24 (Pad: ON, Input sens: +4 dBu, 20 Hz to 20 kHz | |
| Total Harmonic Distortion + Noise | ASSIGNABLE OUTPUT jacks (1 to 10): 0.05 % (+4 dBu, typ.) |
| MAIN OUTPUT jacks (L, R): 0.05 % (+4 dBu, typ.) | |
| PHONES jack: 0.05 % (40 ohms load, 150 mW, typ.) | |
| * Sample Rate: 48.0 kHz or 44.1 kHz | |
| * Input Connector: INPUT 1 to 24 (Input sens: +4 dBu, 20 Hz to 20 kHz) | |
| Dynamic Range | ASSIGNABLE OUTPUT jacks (1 to 10): 102 dB (typ.) |
| MAIN OUTPUT jacks (L, R): 102 dB (typ.) | |
| * Sample Rate: 48.0 kHz or 44.1 kHz | |
| * Input Connector: INPUT 1 to 24 (Input sens: +4 dBu, 20 Hz to 20 kHz) | |
| Crosstalk@ 1 kHz | INPUT jacks (1 to 24): -80dB (Input sens: +4 dBu, IHF-A, typ.) |
| ASSIGNABLE OUTPUT jacks (1 to 10): -88 dB (typ.) | |
| MAIN OUTPUT jacks (L, R): -88 dB (typ.) | |
| * Sample Rate: 48.0 kHz or 44.1 kHz | |
| Nominal Input Level (Variable) | INPUT jacks (1 to 16): -65 to +4 dBu |
| INPUT jacks (17 to 24): -28 to +4 dBu | |
| Input Impedance | INPUT jacks (1 to 16): 14 k ohms |
| INPUT jacks (17 to 24): 10 k ohms | |
| Non Clip Maximum Input level | INPUT jacks (1 to 24): +22dBu (1 kHz, 20 k ohms load, typ.) |
| Nominal Output Level | ASSIGNABLE OUTPUT jacks (1 to 10): +4 dBu (Load impedance:,10 k ohms, typ.) |
| MAIN OUTPUT jacks (L, R): +4 dBu (Load impedance: 10 k ohms, typ.) | |
| Output Impedance | ASSIGNABLE OUTPUT jacks (1 to 10): 600 ohms (typ.) |
| MAIN OUTPUT jacks (L, R): 600 ohms (typ.) | |
| PHONES jack: 49 ohms (typ.) | |
| Recommended Load Impedance | ASSIGNABLE OUTPUT jacks (1 to 10): 10 k ohms or greater |
| MAIN OUTPUT jacks (L, R): 10 k ohms or greater | |
| PHONES jack: 40 ohms or greater | |
| Minimum Load Impedance | PHONES jack: 16 ohms |
| Non Clip Maximum Output level | ASSIGNABLE OUTPUT jacks (1 to 10): +22 dBu (1 kHz, 10 k ohms,load, typ.) |
| MAIN OUTPUT jacks (1 to 10): +22 dBu (1 kHz, 10 k ohms load, typ.) | |
| PHONES jack: 150 mW + 150 mW (1 kHz, 40 ohms load, typ.) | |
| Residual Noise Level (IHF-A, typ.) | -88 dBu (All faders: Min) |
| -80 dBu (Main Fader: Unity, Channel faders: Unity only one INPUT1 channel, Preamp sens: Min) | |
| -61 dBu (Main Fader: Unity, Channel faders: Unity only one INPUT1 channel, Preamp sens: Max) | |
| * Input 150 ohms terminate | |
| * Output Connector: ASSIGNABLE OUTPUT jacks (1 to 10), MAIN OUTPUT jacks (L, R) | |
| * Sample Rate: 48.0 kHz or 44.1 kHz | |
| Equivalent Input Noise Level (E.I.N.) | -126 dBu (Main Fader: Unity, Channel faders: Unity only one channel, Preamp sens: Max) |
| * Output Connector: ASSIGNABLE OUTPUT jacks (1 to 10), MAIN OUTPUT jacks (L, R) | |
| * Sample Rate: 48.0 kHz or 44.1 kHz | |
| Others | |
| Display | Graphic LCD 132 x 64 dots with backlight |
| Current Draw | 3.6 A |
| Operation Temperature | +5 to +40 degrees Celsius |
| +41 to +104 degrees Fahrenheit | |
| Size and Weight | |
| Width | 491 mm 19-6/16 inches |
| Depth | 490 mm 19-5/16 inches |
| Height | 198 mm 7-13/16 inches |
| Weight | 9.8 kg 21 lbs. 10 oz. |
| Notes | Use USB Flash Memory sold by Roland. Other products are not guaranteed to work. |
| * 0dBu=0.775Vrms | |
| * In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice. | |
| * 1: When a REAC Splitter S-4000D or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependant upon the specifications of the splitting device, though the maximum delay amount for a single splitting device should be no more than 200 microseconds. | |
